Maybe the subject matter of their albums is just straight gutter, maybe they sound too impertinent, but still people like what they do. Eightball & MJG certainly know the secret of scoring a success. They don’t want to become the latest thing in fashion, but at the same time each of their albums can be considered as a break through. During the years of their career Eightball & MJG gained a stunning firm sound. With Ridin’ High, Eightball & MJG showed that even though they’ve been here since the beginning, they can still make good music in today’s hip-hop. Eightball & MJG know the secret of scoring a success The weed anthem Runnin’ Out Of Bud featuring Killer Mike, is definitely a highlight, with a truly mellow, guitar-stringed beat, and decent lyrics all around. Cruizin’ featuring Three 6 Mafia and Slim of 112, gives them a nice song that will appeal to the radio. Turn up the Bump is easily one of the best songs on the album due to the rinding synth, and equally impressive verses from Eightball & MJG. Lyrically, Eightball & MJG won’t astound you or go over your head with complex similes and metaphors but provide simple straight forward texts but not so simple a 3-year-old could spit them. With so many sounds coming from the South right now, it's fitting that Ridin’ High touches on most all of them - there's the gangsta track Relax and Take Notes, the up-tempo club electro joint Ridin’ High, the strip club slow jam Take It Off, the screw track 30 Rocks, and the soul-style paean to the group's hometown Memphis. Could these Southern Pioneers survive in this new era, and bring a good album? The answer is yes. However, some legends tend to fade away into obscurity once they’re deemed past their prime.

They are the same people that brought you Coming Out Hard. Ridin' High touches on many sounds coming from the SouthĮightball & MJG are legends. A nice album for their fans to have, and once again they don't let you down.

Production is nice as well and definitely has a southern feel to it. The album features some guests, the department of which is pretty heavy, and almost all are southern artists, such as Midnite Black, Jazze Pha, Puff Daddy, DJ Toomp, DJ Nasty, Gorilla Tek, Bigg D, Danja, Soul Diggaz, Shawty Redd, Gorilla Zoe, B Rock, CKP, and Bangladesh. In the 14 years since the release of their first major album, Eightball & MJG have been barometers of the state of southern rap, remaining a steady presence in the genre while their colleagues often drifted. Ridin’ High is the seventh album from them. They shared a passion for hip-hop, which hadn't yet made a strong impact in the South, and soon formed a partnership. Though some of this material may be unfamiliar to New York-centric listeners, tracks like the brooding “Friend or Foe” and the Organized Noise-produced masterpiece “Don’t Flex” set the southern Hip-Hop community ablaze upon their initial release, and have lost none of their considerable power with the passage of time.Eightball & MJG don't let their fans downĮightball (Premro Smith) and MJG (Marlon Jermaine Goodwin) grew up in the rough Orange Mound area of Memphis and met at Ridgeway Junior High in 1984. Though their very earliest, bounce based work is missing, We Are The South does an admirable job at compiling the best tracks from seminal albums like Comin’ Out Hard, and On Top of The World. The release of the aptly titled We Are The South does much to remedy that problem, assembling the best of the group’s pre Bad Boy work on a sleek sixteen-track compilation. Like their contemporaries Three Six Mafia, 8Ball and MJG are both enviably consistent and intimidatingly prolific, making it difficult for neophytes to get an accurate picture of the group’s rich and complex history. Mainstays and arguably architects of the now unmistakable Memphis Hip-Hop sound, 8Ball and MJG have been releasing razor sharp street oriented Hip-Hop for the better part of two decades.

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